Exodus 36:11

וַיַּעַשׂ לֻֽלְאֹת תְּכֵלֶת עַל שְׂפַת הַיְרִיעָה הָֽאֶחָת מִקָּצָה בַּמַּחְבָּרֶת כֵּן עָשָׂה בִּשְׂפַת הַיְרִיעָה הַקִּיצוֹנָה בַּמַּחְבֶּרֶת הַשֵּׁנִֽית׃

Hebrew interlinear

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The same verse in five languages

Hebrew

וַיַּ֜עַשׂ לֻֽלְאֹ֣ת תְּכֵ֗לֶת עַ֣ל שְׂפַ֤ת הַיְרִיעָה֙ הָֽאֶחָ֔ת מִקָּצָ֖ה בַּמַּחְבָּ֑רֶת כֵּ֤ן עָשָׂה֙ בִּשְׂפַ֣ת הַיְרִיעָ֔ה הַקִּ֣יצוֹנָ֔ה בַּמַּחְבֶּ֖רֶת הַשֵּׁנִֽית׃

Greek (Septuagint)

ἐπωμίδας συνεχούσας ἐξ ἀμφοτέρων τῶν μερῶν, ἔργον ὑφαντόν, εἰς ἄλληλα συνπεπλεγμένα καθ’ ἑαυτό.

Greek text from Swete's edition, CC BY-SA 4.0

Latin (Vulgate)

Fecit et ansas hyacinthinas in ora cortinæ unius ex utroque latere, et in ora cortinæ alterius similiter,

Spanish

Hizo unos ojales de hilo azul en la orilla de la cortina que quedaba al extremo del primer conjunto, y lo mismo hizo en la orilla de la cortina del segundo conjunto.

Classic Spanish (Reina-Valera 1909)

E hizo las lazadas de color de jacinto en la orilla de la una cortina, en el borde, á la juntura; y así hizo en la orilla al borde de la segunda cortina, en la juntura.

English

He made loops of blue material on the edge of the end curtain in the first set, and also on the end curtain in the second set.

What the text says

Summary

The verse describes the fabrication of loops made of blue-violet material, attached to the edge of the last curtain in each of two sets of curtains, so that these sets could later be joined together. The action is reported twice: first for one set, then confirmed as done identically (ken, "thus") for the second set.

Key words

  • va.Ya'as — "and he made" (H6213H): verb qal, narrative form (vav + prefix conjugation), marking the next step in the sequence of construction actions.
  • lul'ot ("loops of", H3924): feminine plural construct noun, grammatically bound to the following word, indicating loops of a specific material.
  • tekhelet ("violet stuff", H8504): feminine singular noun specifying the material of the loops.
  • machbaret / machberet ("joined set", H4225): feminine singular noun appearing twice (lines 14 and 24), naming the assembled group of curtains to which the edge curtain belongs.
  • ha.Qitzonah ("outermost", H7020): feminine singular adjective modifying "curtain," specifying which curtain within the second set receives the loops.

What the text says

The Hebrew sentence is built in two parallel halves connected by the adverb ken ("thus", H3651C). The first half states that loops (lul'ot, H3924) of violet material (tekhelet, H8504) were made "on the edge" (sefat, H8193I, construct form) "of the curtain" (ha.yeri'ah, H3407), specified as "the one" (ha.'echat, H0259) curtain located "from an end" (mi.qatzah, H7098) "in the joined set" (ba.machbaret, H4225). The second half repeats the structure using the perfect verb 'asah ("he did", H6213H) rather than repeating the narrative form, and specifies the curtain as "the outermost" (ha.qitzonah, H7020) "in the second joined set" (ba.machberet ha.shenit, H4225 + H8145).

The construct chains (sefat ha.yeri'ah, "edge of the curtain") show how Biblical Hebrew links nouns without a separate word for "of," relying instead on the construct state. The repetition of machbaret/machberet in both halves anchors the loops to the concept of a "joined set" of curtains, a term used elsewhere in this chapter for the two groups of five curtains that make up the tabernacle covering.

Differences between versions

The Vulgate (ansas hyacinthinas in ora cortinae unius... et in ora cortinae alterius similiter) closely follows the Hebrew structure, rendering lul'ot as ansas ("loops") and tekhelet as hyacinthinas. The LXX text supplied here, however, speaks of epomidas ("shoulder-pieces") "joined from both sides, woven work, interlaced with each other" — vocabulary and content that do not correspond to loops or curtain edges as described in the Hebrew of this verse, reflecting the well-known reordering of material in the Greek text of Exodus 35–39 relative to the Hebrew sequence.

This explanation describes the text using linguistic data; it adds no doctrine or confessional interpretation.