Exodus 15:20

וַתִּקַּח מִרְיָם הַנְּבִיאָה אֲחוֹת אַהֲרֹן אֶת־הַתֹּף בְּיָדָהּ וַתֵּצֶאןָ כָֽל־הַנָּשִׁים אַחֲרֶיהָ בְּתֻפִּים וּבִמְחֹלֹֽת׃

Hebrew interlinear

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The same verse in five languages

Hebrew

וַתִּקַּח֩ מִרְיָ֨ם הַנְּבִיאָ֜ה אֲח֧וֹת אַהֲרֹ֛ן אֶת־הַתֹּ֖ף בְּיָדָ֑הּ וַתֵּצֶ֤אןָ כָֽל־הַנָּשִׁים֙ אַחֲרֶ֔יהָ בְּתֻפִּ֖ים וּבִמְחֹלֹֽת׃

Greek (Septuagint)

Λαβοῦσα δὲ Μαριὰμ ἡ προφῆτις ἡ ἀδελφὴ Ἀαρὼν τὸ τύμπανον ἐν τῆ χειρὶ αὐτῆς, καὶ ἐξήλθοσαν πᾶσαι αἱ γυναῖκες ὀπίσω αὐτῆς μετὰ τυμπάνων καὶ χορῶν.

Greek text from Swete's edition, CC BY-SA 4.0

Latin (Vulgate)

Sumpsit ergo Maria prophetissa, soror Aaron, tympanum in manu sua: egressæque sunt omnes mulieres post eam cum tympanis et choris,

Spanish

Entonces la profetisa Miriam, que era hermana de Aarón, tomó una pandereta, y todas las mujeres la siguieron tocando panderetas y bailando.

Classic Spanish (Reina-Valera 1909)

Y María la profetisa, hermana de Aarón, tomó un pandero en su mano, y todas las mujeres salieron en pos de ella con panderos y danzas;

English

Then Miriam the prophetess, Aaron’s sister, took a tambourine in her hand, and all the women followed her with tambourines and dancing.

What the text says

Summary

The verse narrates that Miriam, identified as "the prophetess" and sister of Aaron, took a hand-drum and led out all the women, who followed her playing hand-drums and dancing. The action is presented as a direct continuation of the preceding narrative through two sequential verb forms.

Key words

  • ti.Kach ("she took", H3947G) — qal narrative form (vav + prefix conjugation), marking the next event in the story sequence; subject is Miriam.
  • ne.vi.'Ah ("prophetess", H5031) — feminine singular noun with definite article, functioning as a title attached to Miriam's name.
  • 'a.Chot ("sister of", H0269) — feminine singular noun in the construct state, linking Miriam directly to 'a.ha.Ron ("Aaron", H0175) as the following word.
  • 'et- ("‹obj.›", H0853) — direct object marker preceding ha.Tof ("the tambourine", H8596), signaling that the noun is the definite direct object of the verb, though the marker itself has no independent translation.
  • te.Tze.na ("they went out", H3318G) — qal narrative form, third-person feminine plural, indicating that "all the women" (khol-ha.Na.shim) are the grammatical subject of this second action.

What the text says

The sentence is built on two narrative (vav-consecutive) verbs, ti.Kach ("she took") and te.Tze.na ("they went out"), which present the actions as sequential events within the ongoing story rather than as isolated statements. The first clause names the subject with three appositional elements — mir.Yam ("Miriam", H4813G), ha.ne.vi.'Ah ("the prophetess", H5031), and 'a.Chot 'a.ha.Ron ("sister of Aaron", H0269+H0175) — stacking identification (name, role, kinship) before the verb's object, ha.Tof ("the tambourine", H8596), marked by the direct-object particle 'et- (H0853) and followed by be.ya.Dah ("in her hand", H3027G+H9024), a possessive construct with pronominal suffix.

The second clause shifts subject to khol-ha.na.Shim ("all the women", H3605+H0802G), a construct chain meaning "all of the women," who move 'a.cha.Rei.ha ("behind her", H0310A+H9034) — a form built on a construct noun with a pronominal suffix referring back to Miriam. The manner of their going out is specified by two parallel prepositional phrases, be.tu.Pim ("with tambourines", H8596) and u.vi.m.cho.Lot ("and with dancing", H4246), both introduced by the preposition be-/vi- ("with", H9003) and joined by the conjunction u- ("and", H9002).

Differences between versions

The LXX opens with a participle, Λαβοῦσα ("having taken"), rather than a finite narrative verb, subordinating Miriam's action to the following clause, whereas the Hebrew presents ti.Kach as an independent sequential verb. For m.cho.Lot ("dancing", H4246), the LXX has χορῶν ("choruses/dances") and the Vulgate choris ("with choruses/dances"), both broader terms than the Hebrew noun, which denotes dancing specifically.

This explanation describes the text using linguistic data; it adds no doctrine or confessional interpretation.